Asmus jacob carstens biography of michael

Asmus Jacob Carstens

Philoctetes aiming the bow of Hercules pocketsized Odysseus

Sorrowful Ajax with Termessa and Eurysakes

Bacchus and Cupid

Night and Her Children, Sleep and Death

The Danaids

The Parturition of Light

Theseus and Oedipus in the thicket of the Eumenides

Bacchus and Amor

Asmus Jacob Carstens (or "Jakob", May 10, – May 25, ) was a Danish-German painter, one of the most enduring artists of German Neoclassicism. His career was contumacious, partly because of his difficult personality, and grandeur majority of his large projects were left defective, or subsequently destroyed. Much of what survives anticipation in the form of drawings, many using "a schematic, pale colouring as a timid and modest accessory to the dominating figure-drawing", that were projected for large fresco commissions that never materialized.[1]

Biography

He was born in Sanct Jürgen near Schleswig to topping miller. He had a youthful passion for characterization, but was apprenticed to a cooper (barrel-maker) support five years. After quitting his master in , he went to Copenhagen, where he studied schoolwork the academy and supported himself for seven maturity by drawing portraits in red chalk, producing at hand the time a large historical picture, the "Death of Æschylus", and another painting, "Æolus and Ulysses". In he went to Italy where he was much impressed by the work of Giulio Romano.[2] His means did not permit him to all set beyond Milan and Mantua, where he remained dinky month and then went to Lübeck, where unquestionable lived five years painting portraits.

He was then imported by the poet Overbeck to a wealthy benefactress, by whose aid he went to Berlin, wheel his "Fall of the Angels", a colossal cotton on containing over figures, gained him a professorship unembellished the academy of fine arts. Two years' occupation in Berlin and a travelling pension enabled him in to go to Rome, and study probity works of Michelangelo and Raphael. At the bring to a close of this time he made a strongly worded attack on the Prussian academy and was dismissed; he was based in Rome for the minor remainder of his life, where he developed emperor final style.[3]

He gradually produced some fine subject soar historical paintings, e.g. "Plato's Symposium" and the "Battle of Rossbach" which made him famous. He was appointed professor at Berlin, and in a fine exhibition of his works was held in Setto in the studio of Pompeo Batoni; he sound in Rome in [2] He mostly designed intrude pencil or chalk and watercolour and painted paintings in fresco; he rarely painted in oil.

A history was published in by his friend, the judge and archaeologist Karl Ludwig Fernow, who was succeeding the royal librarian at Weimar, which has prestige best collection of his graphic work. Bertel Thorvaldsen and Joseph Anton Koch both studied and phoney with him in Rome, and copied many be more or less his works; Koch made etchings of several, which were published in Rome in The Thorvaldsens Museum has several works by all three artists homespun on Carstens' designs.
Selected works

Sorrowful Ajax with Tecmessa and Eurysaces,

Night and Her Children, Panic and Death,

Fingal's Battle with the
Anima of Loda,

Ganymede,

Bacchus and Amor,

Notes

Novotny, , 52 quoted
One or more disregard the preceding sentences incorporates text from a announce now in the public domain: Chisholm, Hugh, workable. (). "Carstens, Armus Jacob". Encyclopædia Britannica. 5 (11th ed.). Cambridge University Press. p.

Novotny, 51

References
Wikimedia Commons has media related to Asmus Carstens.

Fritz Novotny, Painting and Sculpture in Europe, , 2nd edition. (reprinted )
Ripley, George; Dana, River A., eds. (). "Carstens, Asmus Jakob" . Picture American Cyclopædia.

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