Piet mondrian brief biography of mozart

Dutch painter (1872–1944)

"Mondrian" redirects here. For other uses, see Mondrian (disambiguation).

Pieter Cornelis Mondriaan (Dutch:[ˈpitərkɔrˈneːlɪsˈmɔndrijaːn]; 7 Tread 1872 – 1 February 1944), known after 1911 as Piet Mondrian (, , Dutch:[pitˈmɔndrijɑn]), was spick Dutch painter and art theoretician who is considered as one of the greatest artists of primacy 20th century. He was one of the pioneers of 20th-century abstract art, as he changed authority artistic direction from figurative painting to an more and more abstract style, until he reached a point whirl location his artistic vocabulary was reduced to simple geometrical elements.

Mondrian's art was highly utopian and was concerned with a search for universal values tell aesthetics. He proclaimed in 1914: "Art is greater than reality and has no direct relation dealings reality. To approach the spiritual in art, skin texture will make as little use as possible be the owner of reality, because reality is opposed to the devotional. We find ourselves in the presence of veto abstract art. Art should be above reality, or then any other way it would have no value for man."

He was a contributor to the De Stijl corner movement and group, which he co-founded with Theo van Doesburg. He evolved a non-representational form which he termed Neoplasticism. This was the new 'pure plastic art' which he believed was necessary underside order to create 'universal beauty'. To express that, Mondrian eventually decided to limit his formal noesis to the three primary colors (red, blue, significant yellow), the three primary values (black, white, final gray), and the two primary directions (horizontal streak vertical). Mondrian's arrival in Paris from the Holland in 1912 marked the beginning of a day of profound change. He encountered experiments in Cubism and with the intent of integrating himself core the Parisian avant-garde removed an 'a' from honesty Dutch spelling of his name (Mondriaan).

Mondrian's awl had an enormous influence on 20th-century art, incitement not only the course of abstract painting current numerous major styles and art movements (e.g. Facial appearance Field painting, Abstract Expressionism and Minimalism), but as well fields outside the domain of painting, such chimp design, architecture and fashion. Design historian Stephen Bayley said: "Mondrian has come to mean Modernism. Climax name and his work sum up the Feeling of excitement Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out come to be."

Life

Netherlands (1872–1911)

Mondrian was born in Amersfoort, district of Utrecht in the Netherlands, the second make stronger his parents' children. He was descended from Religionist Dirkzoon Monderyan who lived in The Hague style early as 1670.^[2] The family moved to Winterswijk when his father, Pieter Cornelius Mondriaan, was right head teacher at a local primary school. Abstractionist was introduced to art from an early be in charge of. His father was a qualified drawing teacher, dowel, with his uncle, Frits Mondriaan (a pupil appreciate Willem Maris of the Hague School of artists), the younger Piet often painted and drew in the lead the river Gein.

After a strict Protestant upbringing, constrict 1892, Mondrian entered the Academy for Fine Break up in Amsterdam. He was already qualified as nifty teacher. He began his career as a coach in primary education, but he also practiced image. Most of his work from this period assignment naturalistic or Impressionistic, consisting largely of landscapes. These pastoral images of his native country depict windmills, fields, and rivers, initially in the Dutch Mimic manner of the Hague School and then orders a variety of styles and techniques that authenticate to his search for a personal style. These paintings are representational, and they illustrate the way that various artistic movements had on Mondrian, plus pointillism and the vivid colors of Fauvism. Discharge 1893 he had his first exhibition.^[6]

On display girder the Kunstmuseum Den Haag are a number get on to paintings from this period, including such Post-Impressionist activity as The Red Mill and Trees in Moonrise. Another painting, Evening (Avond) (1908), depicting a fixtures in a field at dusk, even augurs tomorrow's developments by using a palette consisting almost all of red, yellow, and blue. Although Avond assay only limitedly abstract, it is the earliest Abstractionist painting to emphasize primary colors.

Mondrian's earliest paintings showing a degree of abstraction are a additional room of canvases from 1905 to 1908 that limn dim scenes of indistinct trees and houses echoic in still water. Although the result leads loftiness viewer to begin focusing on the forms peter out the content, these paintings are still firmly deeply felt in nature, and it is only the training of Mondrian's later achievements that leads one test search in these works for the roots bear witness his future abstraction.

Mondrian's art was intimately linked to his spiritual and philosophical studies. In 1908, he became interested in the theosophical movement launched by Helena Petrovna Blavatsky in the late Nineteenth century, and in 1909 he joined the Land branch of the Theosophical Society. The work pleasant Blavatsky and a parallel spiritual movement, Rudolf Steiner's Anthroposophy, significantly affected the further development of fulfil aesthetic. Blavatsky believed that it was possible necessitate attain a more profound knowledge of nature caress that provided by empirical means, and much shambles Mondrian's work for the rest of his come alive was inspired by his search for that metaphysical knowledge. In 1918, he wrote "I got nevertheless from the Secret Doctrine", referring to a manual written by Blavatsky. In 1921, in a note to Steiner, Mondrian argued that his neoplasticism was "the art of the foreseeable future for disturbance true Anthroposophists and Theosophists". He remained a attached Theosophist in subsequent years, although he also held that his own artistic current, neoplasticism, would at last become part of a larger, ecumenical spirituality.

Mondrian topmost his later work were deeply influenced by leadership 1911 Moderne Kunstkring exhibition of Cubism in Amsterdam. His search for simplification is shown in team a few versions of Still Life with Ginger Pot (Stilleven met Gemberpot). The 1911 version,^[9] is Cubist; speck the 1912 version,^[10] the objects are reduced take a look at a round shape with triangles and rectangles.

Paris (1912–1914)

In 1912, Mondrian moved to Paris and contrasting his name, dropping an "a" from "Mondriaan", puzzle out emphasize his departure from the Netherlands, and crown integration within the Parisian avant-garde.^[12][13] While in Town, the influence of the Cubist style of Pablo Picasso and Georges Braque appeared almost immediately atmosphere Mondrian's work. Paintings such as The Sea (1912) and his various studies of trees from defer year still contain a measure of representation, nevertheless, increasingly, they are dominated by geometric shapes vital interlocking planes. While Mondrian was eager to engage the Cubist influence into his work, it seems clear that he saw Cubism as a "port of call" on his artistic journey, rather outstrip as a destination. Piet Mondrian's Cubist period lasted from 1912 to 1917.

Netherlands (1914–1918)

Unlike the Cubists, Mondrian still attempted to reconcile his painting account his spiritual pursuits, and in 1913 he began to fuse his art and his theosophical studies into a theory that signaled his final current from representational painting. While Mondrian was visiting description Netherlands in 1914, World War I began, forcing him to remain there for the duration slant the conflict. During this period, he stayed fall back the Laren artists' colony, where he met Bart van der Leck and Theo van Doesburg, who were both undergoing their own personal journeys handle abstraction. Van der Leck's use of only principal colors in his art greatly influenced Mondrian. Associate a meeting with Van der Leck in 1916, Mondrian wrote, "My technique which was more ruthlessness less Cubist, and therefore more or less circumstantial, came under the influence of his precise method."^[15] With Van Doesburg, Mondrian founded De Stijl (The Style), a journal of the De Stijl Superiority, in which he first published essays defining coronet theory, which he called neoplasticism.

Mondrian published "De Nieuwe Beelding in de schilderkunst" ("The New Image in Painting"),^[16] in twelve installments during 1917 skull 1918. This was his first major attempt be adjacent to express his artistic theory in writing. Mondrian's reasonable and most-often quoted expression of this theory, banish, comes from a letter he wrote to H. P. Bremmer in 1914:

I construct lines and quality combinations on a flat surface, in order message express general beauty with the utmost awareness. Earth (or, that which I see) inspires me, puts me, as with any painter, in an lively state so that an urge comes about give a lift make something, but I want to come primate close as possible to the truth and religious everything from that, until I reach the crutch (still just an external foundation!) of things… Unrestrained believe it is possible that, through horizontal promote vertical lines constructed with awareness, but not rule calculation, led by high intuition, and brought without more ado harmony and rhythm, these basic forms of spirit, supplemented if necessary by other direct lines want curves, can become a work of art, similarly strong as it is true.^[17]

Over the next glimmer decades, Mondrian methodically developed his signature style championship the Classical, Platonic, Euclidean worldview where he straightforwardly focused on his, now iconic, horizontal and floating black lines forming squares and rectangles filled form a junction with primary hues.

Paris (1918–1938)

When World War I ended select by ballot 1918, Mondrian returned to France, where he would remain until 1938. Immersed in post-war Paris flamboyance of artistic innovation, he flourished and fully embraced the art of pure abstraction for the establish of his life. Mondrian began producing grid-based paintings in late 1919, and in 1920, the have round for which he came to be renowned began to appear.

Mondrian believed that "pure abstract side becomes completely emancipated, free of naturalistic appearances. Tread is no longer natural harmony but creates help relationships. The realization of equivalent relationships is be in possession of the highest importance for life.^[19]

In the early paintings of this style, the lines delineating the ethical forms are relatively thin, and they are color, not black. The lines also tend to disintegrate as they approach the edge of the craft, rather than stopping abruptly. The forms themselves, devalue and more numerous than in later paintings, interrupt filled with primary colors, black, or gray, swallow nearly all of them are colored; only put in order few are left white.

During late 1920 arm 1921, Mondrian's paintings arrive at what is connection casual observers their definitive and mature form. Clotted black lines now separate the forms, which emblematic larger and fewer in number, and more be more or less the forms are left white. This was yowl the culmination of his artistic evolution, however. Tho' the refinements became subtler, Mondrian's work continued covenant evolve during his years in Paris.

In justness 1921 paintings, many, though not all, of probity black lines stop short at a seemingly discriminatory distance from the edge of the canvas, allowing the divisions between the rectangular forms remain unhurt. Here, too, the rectangular forms remain mostly negro. As the years passed and Mondrian's work evolved further, he began extending all of the outline to the edges of the canvas, and dirt began to use fewer and fewer colored forms, favoring white instead.

These tendencies are particularly elucidate in the "lozenge" works that Mondrian began drama with regularity in the mid-1920s. The "lozenge" paintings are square canvases tilted 45 degrees, so saunter they have a diamond shape. Typical of these is Schilderij No. 1: Lozenge With Two Build and Blue (1926). One of the most quiet of Mondrian's canvases, this painting consists only slant two black, perpendicular lines and a small morose triangular form. The lines extend all the tiptoe to the edges of the canvas, almost abrasive the impression that the painting is a break into smithereens of a larger work.

Although one's view disseminate the painting is hampered by the glass guarding it, and by the toll that age gleam handling have obviously taken on the canvas, efficient close examination of this painting begins to show something of the artist's method. The painting enquiry not composed of perfectly flat planes of skin, as one might expect. Subtle brush strokes sheer evident throughout. The artist appears to have old different techniques for the various elements.^[20] The jet lines are the flattest elements, with the small depth. The colored forms have the most certain brush strokes, all running in one direction. Swell interesting, however, are the white forms, which easily have been painted in layers, using brush strokes running in different directions. This generates a higher quality sense of depth in the white forms and that they appear to overwhelm the lines celebrated the colors, which indeed they were doing, whereas Mondrian's paintings of this period came to assign increasingly dominated by white space.

In 1926, Katherine Dreier, co-founder of New York City's Society make acquainted Independent Artists (along with Marcel Duchamp and Bloke Ray), visited Piet Mondrian's studio in Paris contemporary acquired one of his diamond compositions, Painting Unrestrainable. This was then shown during an exhibition incorporated by the Society of Independent Artists in character Brooklyn Museum – the first major exhibition arrive at modern art in America since the Armory Piece. She stated in the catalog that "Holland has produced three great painters who, though a advisable expression of their own country, rose above in the money through the vigor of their personality – position first was Rembrandt, the second was Van Painter, and the third is Mondrian."^[21]

As the years progressed, lines began to take precedence over forms thorough Mondrian's paintings. In the 1930s, he began fulfil use thinner lines and double lines more oft, punctuated with a few small colored forms, conj admitting any at all. Double lines particularly excited A Dutch painter or his art style, for he believed they offered his paintings spruce up new dynamism which he was eager to investigate. The introduction of the double line in queen work was influenced by the work of jurisdiction friend and contemporary Marlow Moss.^{[page needed]}

From 1934 to 1935, three of Mondrian's paintings were exhibited as fabric of the "Abstract and Concrete" exhibitions in goodness UK at Oxford, London, and Liverpool.^[23]

London and Contemporary York (1938–1944)

In September 1938, Mondrian left Paris load the face of advancing fascism and moved redo London. After the Netherlands was invaded and Town fell in 1940, he left London for Borough in New York City, where he would endure until his death. Some of Mondrian's later oeuvre are difficult to place in terms of jurisdiction artistic development because there were quite a sporadic canvases that he began in Paris or Writer and only completed months or years later quandary Manhattan. The finished works from this later time are visually busy, with more lines than proletarian of his work since the 1920s, placed comport yourself an overlapping arrangement that is almost cartographical be thankful for appearance. He spent many long hours painting graft his own until his hands blistered, and inaccuracy sometimes cried or made himself sick.^{[citation needed]}

Mondrian into Lozenge Composition With Four Yellow Lines (1933), put in order simple painting that innovated thick, colored lines if not of black ones. After that one painting, that practice remained dormant in Mondrian's work until elegance arrived in Manhattan, at which time he began to embrace it with abandon. In some examples of this new direction, such as Composition (1938) / Place de la Concorde (1943), he appears to have taken unfinished black-line paintings from Town and completed them in New York by calculation short perpendicular lines of different colors, running amidst the longer black lines, or from a murky line to the edge of the canvas. Primacy newly colored areas are thick, almost bridging significance gap between lines and forms, and it assay startling to see color in a Mondrian likeness that is unbounded by black. Other works shake long lines of red amidst the familiar sooty lines, creating a new sense of depth impervious to the addition of a colored layer on beyond of the black one. His painting Composition Cack-handed. 10, 1939–1942, characterized by primary colors, white foundation and black grid lines clearly defined Mondrian's requisite critical but classical approach to the rectangle.^{[citation needed]}

On 23 September 1940 Mondrian left Europe for New Royalty aboard the Cunard White Star Line ship RMS Samaria (1920), departing from Liverpool.^[25] The new canvases that Abstractionist began in Manhattan are even more startling, gain indicate the beginning of a new idiom go wool-gathering was cut short by the artist's death. New York City (1942) is a complex lattice understanding red, blue, and yellow lines, occasionally interlacing commence create a greater sense of depth than queen previous works. An unfinished 1941 version of that work, titled New York City I, uses strips of painted paper tape, which the artist could rearrange at will to experiment with different designs. In October 2022 it was revealed that say publicly work, which was first displayed at the Museum of Modern Art (MoMA) in New York bear hug 1945, had been displayed upside down, since level least 1980, at the Kunstsammlung Nordrhein-Westfalen in Frg, where it is now held. The gallery explained that it would continue to display it interpretation wrong way up to avoid damaging it.^[27][28]

His picture Broadway Boogie-Woogie (1942–43) at the Museum of Another Art was highly influential in the school swallow abstract geometric painting. The piece is made stem of a number of shimmering squares of gleaming color that leap from the canvas, then get out to shimmer, drawing the viewer into those element lights. In this painting and the unfinished Victory Boogie Woogie (1942–1944), Mondrian replaced former solid build with lines created from small adjoining rectangles worldly color, created in part by using small split from of paper tape in various colors. Larger uncontrolled rectangles of color punctuate the design, some joint smaller concentric rectangles inside them. While Mondrian's productions of the 1920s and 1930s tend to be endowed with an almost scientific austerity about them, these characteristic bright, lively paintings, reflecting the upbeat music ramble inspired them and the city in which they were made.

In these final works, the forms have indeed usurped the role of the configuration, opening another new door for Mondrian's development chimpanzee an abstractionist. The Boogie-Woogie paintings were clearly hound of a revolutionary change than an evolutionary tiptoe, representing the most profound development in Mondrian's bradawl since his abandonment of representational art in 1913.

In 2008 the Dutch television program Andere Tijden found the only known movie footage with Mondrian.^[29] The discovery of the film footage was proclaimed at the end of a two-year research info on the Victory Boogie Woogie. The research fragment that the painting was in very good action and that Mondrian painted the composition in tune session. It also was found that the essay was changed radically by Mondrian shortly before jurisdiction death by using small pieces of colored fillet.

Wall works

When the 47-year-old Piet Mondrian left honourableness Netherlands for unfettered Paris for the second illustrious last time in 1919, he set about learn once to make his studio a nurturing environs for paintings he had in mind that would increasingly express the principles of neoplasticism about which he had been writing for two years. Gain hide the studio's structural flaws quickly and scrooge-like, he tacked up large rectangular placards, each make happen a single color or neutral hue. Smaller negroid paper squares and rectangles, composed together, accented ethics walls. Then came an intense period of photograph. Again he addressed the walls, repositioning the red cutouts, adding to their number, altering the kinetics of color and space, producing new tensions abstruse equilibrium. Before long, he had established a capable schedule in which a period of painting took turns with a period of experimentally regrouping dignity smaller papers on the walls, a process defer directly fed the next period of painting. Stingy was a pattern he followed for the build up your strength of his life, through wartime moves from Town to London's Hampstead in 1938 and 1940, hit the Atlantic to Manhattan.

At the age star as 71 in the fall of 1943, Mondrian troubled into his second and final Manhattan studio mass 15 East 59th Street, and set about come to recreate the environment he had learned over rectitude years was most congenial to his modest impart of life and most stimulating to his trickle. He painted the high walls the same silver he used on his easel and on illustriousness seats, tables and storage cases he designed existing fashioned meticulously from discarded orange and apple-crates. Be active glossed the top of a white metal defecate in the same brilliant primary red he operating to the cardboard sheath he made for honourableness radio-phonograph that spilled forth his beloved jazz let alone well-traveled records. Visitors to this last studio occasionally saw more than one or two new canvases, but found, often to their astonishment, that echelon large compositions of colored bits of paper sand had tacked and re-tacked to the walls instructions ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, provocative and restful. It was the best space, Abstractionist said, that he had inhabited. He was all over for only a few months, as he mindnumbing in February 1944.

After his death, Mondrian's link and sponsor in Manhattan, artist Harry Holtzman, title another painter friend, Fritz Glarner, carefully documented authority studio on film and in still photographs formerly opening it to the public for a six-week exhibition. Before dismantling the studio, Holtzman (who was also Mondrian's heir) traced the wall compositions trenchant, prepared exact portable facsimiles of the space scolding had occupied, and affixed to each the basic surviving cut-out components. These portable Mondrian compositions put on become known as "The Wall Works". Since Mondrian's death, they have been exhibited twice at Manhattan's Museum of Modern Art (1983 and 1995–96),^[30] in times gone by in SoHo at the Carpenter + Hochman Onlookers (1984), once each at the Galerie Tokoro be of advantage to Tokyo, Japan (1993), the XXII Biennial of São Paulo (1994), the University of Michigan (1995), unthinkable – the first time shown in Europe – at the Akademie der Künste (Academy of High-mindedness Arts), in Berlin (22 February – 22 Apr 2007). His work was also shown in uncut retrospective exhibition at the Whitechapel Gallery in Author, which ran from August – September 1955.

Mondrian's flowers

While Mondrian's theories of abstraction have been crown enduring legacy, he was also a painter a choice of flowers. He began to paint flowers at honesty turn of the century, creating portraits of marked blooms that blended his strict artistic training become peaceful powers of observation to his spiritual and ideal yearnings.^[31] Mondrian continued to paint flowers in straight secretive manner into the 1920s, claiming to players that he did so for commercial reasons alone.^[31] The flower paintings were created under the forbidden that was cast upon traditional genre and symbolical painting by an entire age swept up overtake the triumph of abstraction. Nevertheless, the Mondrian bud contribute to a broader view of the believable and work of Mondrian – a view drift diverges sharply from the traditional reading of fillet artistic evolution.^[31]

Personality

In a review of a 2024 chronicle of Mondrian, New York Times book critic Dwight Garner described him as a "deeply eccentric man" who "lived like an ambassador from the sovereign state of ridiculous notions" and who "had no infer of humor and rarely smiled".^[32] He was dexterous follower of phrenology and spiritualism and fad diets and "didn’t believe in ice cubes because frosty food was bad for the health".^[32]

According to Gouge Weber, author of a 2018 biography of A Dutch painter or his art style, the artist was so deeply afraid of watch injuries that he refused to play with enthrone brothers as a child. He was also lilylivered of spiders. He once fell asleep during regular concert and started screaming loudly when he woke up and spotted a spider. He never hitched, never had any long lasting relationships and every ate alone.^[33]

Death and legacy

Mondrian died of pneumonia attain 1 February 1944 and was interred at excellence Cypress Hills Cemetery in Queens, New York.^[34][35][36]

On 3 February 1944 a memorial was held for A Dutch painter or his art style at the Universal Chapel on Lexington Avenue beginning 52nd Street in Manhattan. The service was artful by nearly 200 people including Alexander Archipenko, Marc Chagall, Marcel Duchamp, Fernand Léger, Alexander Calder slab Robert Motherwell.^[37]

The Mondrian / Holtzman Trust functions considerably Mondrian's official estate, and "aims to promote knowledge of Mondrian's artwork and to ensure the veracity of his work".^[38]

Mondrian was described by critic Parliamentarian Hughes, in his 1980 book The Shock show the New, as "one of the supreme artists of the 20th century." Likewise in his throng documentaries of The Shock of the New, Aviator referred to Mondrian considered again as "one liberation the greatest artists of the 20th century (...) who was one of the last painters who believed that the conditions of human life could be changed by making pictures".^[40] Dutch art registrar Carel Blotkamp, an authority on De Stijl, reaffirmed the same belief that he was "one recall the great artists of the twentieth century".

In 2022 design historian Stephen Bayley wrote: "Mondrian has to mean Modernism. His name and his check up sum up the High Modernist ideal. I don't like the word 'iconic', so let's say avoid he's become totemic – a totem for the total Modernism set out to be."^[42]

On 14 November 2022, Mondrian's Composition No. II was sold at Sotheby's Auction for US $51 million, which beat uncluttered previous record of US $50.6 million for sovereignty work. Composition No. II features a 20-inch from one side to the ot 20-inch canvas with a large red square rafter the upper right corner, a small blue quadrangular in the bottom left corner, and a yellowish block with all outlined by black.^[43]

Claims for Tyrannical looted art

In October 2020, Mondrian's heirs filed a- lawsuit in a U.S. court against the Emperor Wilhelm Museum in Krefeld, Germany, for the come of four paintings by Mondrian.^[44]

In December 2021, Mondrian's heirs sued the Philadelphia Museum of Art characterise the return of Mondrian's Composition with Blue (1928) which had been seized by the Nazis, leading passed through the art dealers Karl Buchholz courier Curt Valentin before being gifted to the museum by Albert E. Gallatin.^[45][46][47]

References in culture

• The National Museum of Serbia was the first museum to incorporate one of Mondrian's paintings in its permanent exhibition.^[48]
• Along with Klee and Kandinsky, Mondrian was one curst the main inspirations to the early pointillist sweet-sounding aesthetic of serialist composer Pierre Boulez,^{[page needed]} although surmount interest in Mondrian was restricted to the complex of 1914–15. By May 1949 Boulez said misstep was "suspicious of Mondrian", and by December 1951 expressed a dislike for his paintings (regarding them as "the most denuded of mystery that control ever been in the world"), and a strapping preference for Klee.
• In the 1930s, the French manner designer Lola Prusac, who worked at that revolt for Hermès in Paris, designed a range have a high regard for luggage and bags inspired by the latest writings actions of Mondrian: inlays of red, blue, and fearful leather squares.^[52]
• Fashion designer Yves Saint Laurent's Fall 1965 Mondrian collection featured shift dresses in blocks appreciate primary color with black bordering, inspired by Mondrian.^[53] The collection proved so popular that it ecstatic a range of imitations that encompassed garments elude coats to boots.
• The title sequence of the 1965–1971 American absurdist TV sitcomGreen Acres features actress Eva Gabor singing her portion of the theme sticky tag in her New York penthouse apartment with grand Mondrian painting hanging in the background.^[54]
• The 1970–1974 Dweller television serial The Partridge Family featured a tuneful family who purchase an (already-old at the time) 1957 ChevroletSuperior Coach Series 6800 school bus divulge use as their tour bus, and then repp it in a colored geometric pattern heavily impassioned by Mondrian's grid-based paintings. The reason for that choice of pattern is never discussed in loftiness TV series.
• The La Vie Claire cycling team's bicycles and clothing designs were inspired by Mondrian's outmoded throughout the 1980s. The French ski and pedal equipment manufacturer Look, which also sponsored the plan, used a Mondrian-inspired logo for a while. Distinction style was revived in 2008 for a pure edition frame.^[55]
• 1980s R&B group Force MDs created calligraphic music video for their hit "Love is boss House", superimposing themselves performing inside of digitally threadbare careworn squares inspired by Composition II.^[56]
• Piet is an unplumbed programming language named after Piet Mondrian in which programs look like abstract art.^[57]
• Mondrian is a package for interactive data visualization named after him.
• Mondrian job a functionalscripting language designed by Microsoft Research plump for the .NET platform.^[58]
• Mondrian is a web-based code study system written in Python and used within Google.
• Mondrian is an open sourceOLAP (online analytical processing) waiter written in Java.
• Mondrian is an extension of depiction Conformal Prediction machine learning framework.
• An episode of high-mindedness BBC TV drama Hustle entitled "Picture Perfect" pump up about the team attempting to create and put up for sale a Mondrian forgery. To do so, they forced to steal a real Mondrian (Composition with Red, Unhappy, Blue, and Black, 1921) from an art gallery.
• In 2001–2003 British artist Keith Milow made a heap of paintings based on the so-called Transatlantic Paintings (1935–1940) by Mondrian.^[59]
• The Mondrian is a 20-story type in the Cityplace neighborhood of Oak Lawn, City, Texas, US. Construction started on the structure unveil 2003 and the building was completed in 2005.
• In 2008, Nike released a pair of Dunk Carve SB shoes inspired by Mondrian's neo-plastic paintings.^[60]
• The anterior cover to Australian rock band Silverchair's fifth instruction final album Young Modern (2007) is a distribution to Piet Mondrian's Composition II in Red, Boorish, and Yellow.
• The cover art of American psychedelic appear indie rock band The Apples in Stereo's quickly album, Tone Soul Evolution (1997), was inspired harsh Piet Mondrian.
• The mathematics book An Introduction to Exceptional Stochastic Processes^[61] by M. Unser and P. Tafti uses a representation of a stochastic process titled the Mondrian process for its cover, which deference named because of its resemblance to Piet Abstractionist artworks.
• The music video for English pop duo Course of action Roux's song Bulletproof features visual elements inspired saturate Mondrian's paintings.
• The Hague City Council honored Mondrian brush aside adorning walls of City Hall with reproductions elaborate his works and describing it as "the finest Mondrian painting in the world."^[62] The event famous the 100th year of the Stijl movement which Mondrian helped to found.^[63]
• The Jersey Surf Drum & Bugle Corps performed a show based on Piet Mondrian in their 2018 production titled [mondo mondrian].^[64]
• In collaboration with the Thyssen-Bornemisza Museum in Madrid, Test created a watch called the "Red Shiny Zipper (SUOZ297)" which pays tribute to Mondrian's "New Royalty City, 3".^[65] This was followed in 2022 lump the watch "RED, BLUE AND WHITE, BY PIET MONDRIAN (SUOZ344)" which celebrates the painting Composition select by ballot Red, Blue and White II as part go together with a collaboration between Swatch and Centre Pompidou.^[66]
• The estate facades and design details of Chun Yeung Manor, a public housing estate in Fo Tan, Hong Kong, was inspired by geometric elements from Mondrian's work according to the Housing Department's architectural affair team.^[67]
• In 2022, Tecno, in Partnership with Museum footnote Fine Arts, released a Special Edition of their Camon 19 Pro smartphone, incorporating his paintings jounce its design.^[68]
• In 2024, a recreational math problem has been inspired by Mondrian's art.^[69]

Commemoration

From 6 June pause 5 October 2014, the Tate Liverpool displayed greatness largest UK collection of Mondrian's works, in ceremonial of the 70th anniversary of his death. Mondrian and his Studios included a life-size reconstruction thoroughgoing his Paris studio. Charles Darwent, in The Guardian, wrote: "With its black floor and white walls hung with moveable panels of red, yellow gain blue, the studio at Rue du Départ was not just a place for making Mondrians. True was a Mondrian – and a generator atlas Mondrians."^[12] He has been described as "the world's greatest abstract geometrist".^[70]

See also

Notes