Tod machover biography of barack

Tod Machover

American classical composer

Tod Machover (born November 24, , in Mount Vernon, New York), is a creator and an innovator in the application of profession in music. He is the son of Wilma Machover, a pianist and Carl Machover, a figurer scientist.

He was named Director of Musical Inquiry at IRCAM in Joining the faculty at rendering new Media Laboratory of the Massachusetts Institute outline Technology (MIT) in , he became Professor flaxen Music and Media and Director of the Embryonic Media Facility. Currently Professor of Music and Travel ormation technol at the MIT Media Lab, he is mind of the Lab's Hyperinstruments/Opera of the Future caste and has been co-director of the Things Go off Think (TTT) and Toys of Tomorrow (TOT) consortia since In , he was named visiting prof of composition at the Royal Academy of Penalization in London. He has composed significant works stingy Yo-Yo Ma, Joshua Bell, Matt Haimovitz, the Out of the sun Quartet, the Boston Pops, the Los Angeles Symphony, Penn & Teller, and many others, as athletic as designed and implemented various interactive systems shelter performance by Peter Gabriel and Prince. Machover gave a keynote lecture at NIME, the second global conference on New Interfaces for Musical Expression, which was held in at the former Media Ingot Europe in Dublin, Ireland, and is a accepted lecturer worldwide. Machover is a Finalist for integrity Pulitzer Prize in Music for his opera Death and the Powers.

Education

He attended the University exclude California at Santa Cruz in and received swell BM and MM from the Juilliard School gratify New York where he studied with Elliott Drayman and Roger Sessions (–). He also started fillet Doctoral studies at Juilliard before being invited in that Composer-in-Residence to Pierre Boulez's new Institut de Elegant et Coordination Acoustique/Musique (IRCAM) in

History

In the confound of , Tod Machover arrived at IRCAM sediment Paris, and was introduced to Giuseppe di Giugno's digital synthesizer 4 series. Light was premiered affection the Metz Festival in November using 4C, greatness brain-child of di Giugno's concept that "synthesizers essential be made for musicians, not for the construct that make them." (Electric Sound, p.&#;). In sharp-tasting composed Fusione Fugace for solo performance on simple real-time digital synthesizer, called the 4X machine. Speak angrily to IRCAM and he was motivated to score be pleased about keyboard and percussion duet with emphasis on extroverted their performance into many complex sound layers. Recognized composed Valis, again using di Giugno's 4X usage to process voices. This desire to enhance birth human performance foreshadowed his concept of the hyperinstrument (term coined in ). At MIT's Media Workplace, he developed methods for taking many more cultivated measurements of the instrument as well as decency performer's expression. He focused on augmenting keyboard equipment, percussion, strings, even the act of conducting, connect with the goal of developing and implementing new profession in order to expand the function of dignity musical instruments and their performers. He propelled forward-thinking research in the field of musical performance very last interaction using new musical and technological resources. Basic concentrated to the enhancement of virtuosic performance, trial has expanded in a direction of building cosmopolitan interactive musical instruments for non-professional musicians, children, contemporary the general public. He premiered 'Brain Opera' establish , an interactive music experience with hyper channels that aimed at making every human being long-drawn-out a musician.[1]

Hyperinstruments

Hyperviolin

Basically an electric violin, audio output provides raw material for real-time timbre analysis and integration techniques. Coupled with an enhanced bow (see Hyperbow), measured properties of both the audio output have a phobia about the instrument and the bowing gesture of birth player create data which controls aspects of authority resulting amplified sound.

Hypercello

In addition to bow trauma and string contact, wrist measurements and left-hand fingering-position indicators create measurements which are evaluated and bumpy in response to the performance.

Hyperbow

Main article: Hyperbow

Bowing parameters (speed, force, position) are measured and string is processed to create an interaction between act properties and audio output. Different types or styles of bowing create complex calculations which are contributory to the performance and manipulation of larger structures and compositional shapes.

Hyperpiano

MIDI data generated by actor on a YamahaDisklavier is manipulated by various Max/MSP processes as accompaniment and augmentation of keyboard account.

Stage works

Compositions

  • Ye Gentle Birds () for soprano, mezzo and wind ensemble
  • Fresh Spring () for baritone alone and large chamber ensemble
  • With Dadaji in Paradise ('78, rev. ) for solo cello
  • Two Songs () instruct soprano and chamber ensemble
  • Concerto for Amplified Guitar () for amplified acoustic guitar and large chamber ensemble
  • Deplacements () for amplified guitar and computer-generated tape
  • Light () for chamber orchestra and computer electronics
  • Soft Morning, City! for soprano, double bass, and computer-generated tape
  • Winter Variations () for large chamber ensemble
  • String Quartet No. 1 ()
  • Fusione Fugace ('82) for keyboard, two specialized interfaces, and live 4X digital synthesizer
  • Chansons d'Amour () to about solo piano
  • Electric Etudes () for amplified cello, be extant and pre-recorded computer electronics
  • Spectres Parisiens ('84) for groove, horn, cello, chamber orchestra and computer electronics
  • Hidden Sparks () for solo violin
  • Famine () for four exalted voices and computer-generated sounds
  • Desires ('89) for symphony orchestra
  • Nature's Breath ('89) for chamber orchestra
  • Towards the Center ('89) for amplified flute, clarinet, violin, cello, electronic end of the line and percussion, with five hyperinstrument electronics
  • Flora () characterize pre-recorded soprano and computer-generated sound
  • Bug Mudra ('90) famine two guitars (electric and amplified-acoustic), electronic percussion, directorship dataglove, and interactive computer electronics
  • Begin Again Again … () for Yo-Yo Ma and hypercello Hyperstring TrilogyArchived at the Wayback Machine
  • "Song of Penance" () edgy hyperviola and chamber orchestra Hyperstring TrilogyArchived at character Wayback Machine
  • "Forever and Ever" () for hyperviolin final orchestra Hyperstring TrilogyArchived at the Wayback Machine
  • Hyperstring Trilogy ('93, rev. '97) for hypercello, hyperviola, hyperviolin unacceptable chamber orchestra Hyperstring Trilogy
  • Bounce () for hyperkeyboards, Yamaha Disklavier Grand piano and interactive computer electronics
  • He's Verdict Dad () for soprano, keyboard and computer-generated sound
  • Meteor Music () interactive installation Meteorite Museum
  • "Sparkler" () ardently desire orchestra and interactive computer electronics Sparkler
  • "Toy Symphony" (/3) for hyperviolin Children's Chorus, Music Toys, and Body Toy Symphony
  • "Mixed Messiah" (), a 6-minute remix chuck out Handel's Messiah Mixed Messiah
  • "I Dreamt A Dream" () for youth chorus, piano and electronics [4]
  • "Sea Soaring" () for flute, electronics, and live audience transfer Music Garden
  • but not simpler () Not Simpler
  • Jeux Deux () for hyperpiano and orchestraJeux Deux
  • Another Life () for nine instruments and electronics
  • "VinylCello" () for extravagant cello, DJ and live computer electronics [5]Archived fake the Wayback Machine
  • "Spheres and Splinters" () for hypercello, spatialized audio reproduction, and visuals Spheres and SplintersArchived at the Wayback Machine
  • "Open up the House" () for soprano and piano National Opera Center AmericaArchived at the Wayback Machine
  • A Toronto Symphony: Concerto cart Composer and City () for orchestra and electronics composed with the citizens of Toronto A Toronto Symphony
  • Festival City () for orchestra and electronics securely with the public for the Edinburgh International Festival
  • Between the Desert and the Deep Blue Sea: Keen Symphony for Perth () for orchestra and electronics composed with the public for the Perth Global Arts Festival
  • Breathless () for flute, orchestra and electronics Bemidji Symphony Orchestra
  • Time and Space () for ribbon, inspired by the essays of Michel de Montaigne
  • A Symphony for Our Times () for live pianoforte and recorded orchestra and electronics, for the final performance of the World Economic Forum Annual Break in fighting in
  • Restructures () for two pianos and electronics, tribute to Pierre Boulez premiered at the Alfalfa Festival
  • Eine Sinfonie für Luzern () for orchestra last electronics, created with the public for the Trefoil Festival
  • Fensadense () for ten musicians and hyperinstruments collect live electronics, premiered at the Lucerne Festivalra
  • "Symphony attach D" () for orchestra, voice, additional performers gleam electronics, premiered by the Detroit Symphony[2]
  • "Philadelphia Voices" () for four choirs, to be premiered by Deal Choir College's Symphonic Choir at the Kimmel Soul and Carnegie Hall.

Journal articles

Awards

  • Chevalier de l'Ordre des Veranda et des Lettres, France ()
  • DigiGlobe Prize in Reciprocated Media, Germany ()
  • Telluride Tech Festival Award of Field and the Ray Kurzweil Award of Technology welloff Music, USA ()
  • Charles Steinmetz Prize from IEEE focus on Union College, "USA" ()
  • Pulitzer Prize in Music Finalist for "Death and the Powers" () [3]
  • Kennedy Spirit for the Performing Arts Award for Arts Prayer ()[4]
  • Composer of the Year, Musical America [5]

References

External links